Getting started

  1. Review all four exercise templates (available via the all-caps links on the left toolbar) to determine which one meets your class needs.
  2. Once you have determined which exercise you would like to use, review the data table or catalogue to determine which text/s you would like to use for your class.
  3. Go to the exercise template and add the text/s into the bracketed space. Exmp: [Add in the chosen texts here]
  4. Contact Harold Forbes at harold.forbes@mail.wvu.edu to make an appointment for your class to visit the Rare Book Room. Please let Harold know which texts you would like the students to work with.
  5. After your students have visited the Rare Book Room and have completed the exercise, please fill out an evaluation form and send it to Marilyn Francus at marilyn.francus@mail.wvu.edu

This site features four types of exercises

  1. A transcription/editing exercise, in which students are given a passage from a 16th-, 17th-, 18th or 19th-century text, general information regarding the older conventions of spelling and punctuation, and a series of questions to consider.  Then students transcribe the passage and edit it–-which requires students to think through issues of language, editorial conventions, and annotation.  Finally, students write a brief (1-2 page) essay in which they develop a thesis about the passage and/or editing practices.   The texts are available to faculty electronically through Early English Books Online and scans that the library has provided.
  1. An edition exercise, in which students compare two editions of the same work. Longfellow’s “Hiawatha,” Twain’s Huckleberry Finn, Malone’s editions of Shakespeare, Pope’s “Rape of the Lock,” and Ben Jonson’s The Alchemist are signal instances from the Rare Book collection.   Students are asked to compare and contrast passages and aspects of the two editions in order to draw their attention towards editorial choices (regarding both primary text and critical apparatus), textual stability over time, and the marketing of a text to a particular audience.  Students are then asked to write a brief (1-2 page) essay in which they develop a thesis about editorial practices. The texts are available to faculty electronically through scans that the library has provided.
  1. An illustration exercise, in which students analyze illustrations from texts from the 17th through 20th centuries.  (Formal knowledge of art history is not required).  The students are given prompt questions regarding the style and composition of the illustration, the relationship between the illustration and the text, and illustration as a form of interpretation.  These prompts focus student thinking on the meaning(s) of illustration in cultural practice so that students can develop their ideas about illustration and apply them to a variety of contexts.  Students then write a brief (1-2 page) essay in which they develop a thesis about the illustration and/or illustration practices.  The illustrations are available to faculty electronically through scans that the library has provided.
  1. A material culture exercise, in which students analyze a book as a physical object, subject to technologies of book production and marketing. Prompt questions are provided to encourage students to think about the physical aspects of the text (size, paper, cover composition), marketing (advertisements for the publisher and the author), and textual devices (dedications, prefaces, and so on)—all of which affect audience reception before purchase.  In so doing, the exercise works towards student recognition of the text as an object that was produced by a particular technology and marketed with a specific audience in mind.  Students are then asked to write a brief (1-2 page) essay in which they develop a thesis about the text – either as a physical object, or as evidence of the book in its cultural moment.   Images of the texts for this exercise are available to faculty electronically through scans that the library has provided.

All texts are available in the WVU Rare Book Room (6th Floor, Wise Library) and have been approved by the library staff for use.

Each assignment can be adapted to meet your course needs; some faculty may want students to submit responses to the prompt questions rather than write an essay, while others may want students to write a longer essay.   Feel free to tailor the assignment (and the assessment rubrics) to the needs of your students and your course.

The Rare Book Pedagogy Unit annotated bibliography provides useful references on book production, marketing, and literacy for the faculty based on the holdings in Wise.  Copies of the items listed in the bibliography are available in the English Department office.   A brief annotated list of Internet resources for faculty use is also available.

If you choose to incorporate a module from the Rare Book Pedagogy Unit, please fill out the attached form regarding the module and its effectiveness.  Comments and suggestions to improve the modules are most welcome.

If you have any questions, please feel free to contact Marilyn Francus at marilyn.francus@mail.wvu.edu.

Rare Books
getting started

HOME
GETTING STARTED
EDITING & TRANSCRIPTION
: : Exercise Template

: : Data Table
: : Catalogue
: : Gallery
: : Slideshow
ILLUSTRATION
: : Exercise Template
: : Data Table
: : Catalogue
: : Gallery
: : Slideshow
MATERIAL CULTURE
: : Exercise Template
: : Data Table
: : Catalogue
: : Gallery
: : Slideshow
MULTIPLE EDITION
: : Exercise Template
: : Data Table
: : Catalogue
: : Gallery
: : Slideshow

SAMPLE GRADING RUBRIC
SAMPLE FACULTY EXERCISES
KEY TERMS
DEFINING RARENESS
ANNOTATED BIBLIOGRAPHY
: : The Construction of Books
: : Literacy and Reading
: : Publication and Circulation
: : Handwriting
: : Pedagogical Research
EVALUATION FORM
RELATED LINKS
ACKNOWLEDGEMENTS