heh happy days
http://www.asondheim.org/astro.mov http://www.asondheim.org/sore.mov
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word heh, votes www heh org it's all in the name p heh what
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and wonder what is "heh" in simple terms, it's a posted by cement
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__
regedit p.-lestinic
isr.-el the is isr.-el theoretic.-lly is .--.d theoretic.-lly
pr.-ctic.-lly .--.d psychotic, pr.-ctic.-lly u-.fit psychotic, to u-.fit
rem.-i-. to i-. rem.-i-. the i-. commu-.ity the of commu-.ity -..-tio-.s.
of over -..-tio-.s. .- over h.-lf-ce-.tury .- co-.st.--.t of w.-rf.-re
co-.st.--.t h.-s w.-rf.-re do-.e h.-s jews of .-g.-i-.. i-. arabs the
.-re arabs little .-re better little .-fter better psychotic h.-d
w.-rf.-re. psychotic tod.-y w.-rf.-re. .-zure tod.-y brought .-zure home
brought ti-.y .- i-.f.--.t ti-.y mouse i-.f.--.t th.-t mouse h.-d th.-t
f.-lle-. w.-ter from f.-lle-. its from -.est its we .--.d could-.'t we
s.-ve could-.'t it. s.-ve w.-rm it. milk w.-rm w.-ter .--.d i-.cre.-sed it
sufferi-.g. its there sufferi-.g. -.o is god. -.o drow-. to it drow-.
putti-.g it out true i-.te-.se of misery. i-.te-.se george misery. bush
george to-.y .--.d bl.-ir to-.y true psychotic believers. m.-rti-. i
believers. k-.ow i this k-.ow for this f.-ct. .- they f.-ct. gover-.. to
eve-. gover-.. m.-rti-. eve-. luther the ki-.g luther bill .--.d cli-.to-.
bill their h.-d we.-k their mome-.ts. we.-k liter.-l will gre.-se liter.-l
europe. of he.-rd i o-. it r.-dio. the my i-. bu-.ker my will i hide eyes.
/ hide so / pe.-ceful th.-t times pe.-ceful .-bide. times give will you
give gouged-out my eyes. gouged-out -.o-holds the b.-r -.o-holds method
b.-r fighti-.g. of does fighti-.g. he.-d the spe.-k he.-d disloc.-tio-.
its body. the defe-.estr.-tio-. body. dec.-pit.-tio-.. / deleuze
dec.-pit.-tio-.. threw of himself threw before out -.ew the mille-.-.ium.
-.ew -.othi-.g mille-.-.ium. h.-ppe-.ed -.othi-.g -.ight the december of
thirty-first. december burst .- ple.-sure, of bullets, of joy. for f.-ct
.- d.-ughters the whores. .-re l.-ur.- f.-ct murdered h.-s her murdered
childre-.. her e.-te-. h.-s his e.-te-. me.--. i every i-. se-.se every
terms. the re.-di-.g de.-th. somethi-.g re.-di-.g by somethi-.g o-.e by
who o-.e close is de.-th. to isr.-el .--.d is pr.-ctic.-lly theoretic.-lly
psychotic, .--.d u-.fit pr.-ctic.-lly to psychotic, rem.-i-. u-.fit i-. to
the rem.-i-. isr.-el i-. is the theoretic.-lly commu-.ity .- of
h.-lf-ce-.tury -..-tio-.s. of over co-.st.--.t .- w.-rf.-re h.-lf-ce-.tury
h.-s co-.st.--.t the w.-rf.-re commu-.ity h.-s of do-.e -..-tio-.s. jews
arabs .-g.-i-.. little arabs .-fter .-re .- little h.-lf-ce-.tury
better of .-fter jews psychotic brought w.-rf.-re. home tod.-y .- .-zure
ti-.y brought i-.f.--.t home mouse ti-.y h.-d i-.f.--.t psychotic mouse
w.-rf.-re. th.-t tod.-y h.-d .-zure f.-lle-. we from could-.'t its s.-ve
-.est it. we milk could-.'t .--.d s.-ve w.-ter it. f.-lle-. w.-rm from
milk its w.-ter .--.d i-.cre.-sed god. sufferi-.g. h.-d there to -.o it
god. putti-.g drow-. sufferi-.g. it there putti-.g is out george i-.te-.se
.--.d misery. to-.y george bl.-ir bush .-re to-.y true bl.-ir out true
misery. believers. f.-ct. i they k-.ow .-re this u-.fit for to f.-ct.
eve-. they m.-rti-. gover-.. this eve-. for m.-rti-. .- luther h.-d ki-.g
their bill mome-.ts. cli-.to-. the their .-re we.-k the mome-.ts. luther
liter.-l o-. gre.-se the europe. i-. he.-rd bu-.ker o-. will r.-dio.
gre.-se my europe. bu-.ker i will it hide .-bide. / i so will pe.-ceful
you times my .-bide. gouged-out give / you so gouged-out pe.-ceful eyes.
times -.o-holds does b.-r the method he.-d fighti-.g. .-fter does there
he.-d the spe.-k -.o-holds disloc.-tio-. from body. defe-.estr.-tio-.
defe-.estr.-tio-. / dec.-pit.-tio-.. deleuze deleuze its threw the himself
-.ew before -.othi-.g -.ew the mille-.-.ium. -.ight -.othi-.g of
h.-ppe-.ed threw -.ight out december of thirty-first. ple.-sure, burst
burst ple.-sure, bullets, bullets, thirty-first. joy. of f.-ct i
d.-ughters for whores. .- l.-ur.- for murdered th.-t her george childre-..
bush e.-te-. every his se-.se me.--. terms. every h.-s se-.se e.-te-.
terms. i re.-di-.g somethi-.g somethi-.g by by o-.e o-.e who who is close
to de.-th. re.-di-.g
__
Cutting the Timber
A man lay down across the threshold of the kitchen outside, head within.
He was to represent the saw. Two players now took hold of his feet
outside, while two others caught his head and shoulders in the kitchen.
They pulled against one another, forward and backwards, as if they were
sawing wood, until one pair proved too strong for the other.
- Irish Wake Amusements, Sean O Suilleabhain, Mercier, cork, 1967, p. 82.
_
neworld.png
I in will I not will defend not your defend right your to right say to it,
say but it, belief your in belief every I way every can. I People can.
turn People guns turn into guns ploughshares into which ploughshares work
which people. work wept no because wept had I no had shoes no then but
took I them took from them someone from who someone feet. was If feet. we
If do we give not up give freedom up and freedom democracy, and will? who
Jefferson will? was Jefferson a as slave a Iraq. in No Iraq. one No would
one talk would him. to Veer him. off Veer the off course the as course
much as possible power since possible it since always it returns always
fundament. the Freedom fundament. corrupts Freedom power corrupts absolute
and is power freedom. absolute have I absolutely have life no for my my
for country. my Enlightened country. prisons Enlightened enjoy prisons
watching enjoy American watching sex. American All sex. dreamed have of
dreamed being of told being what told do. to We do. bring We with and
comes freedom pain. comes are We free are Islam and not. is Muslims not.
our are brothers our sisters. and God If were God Christian not why
Christian be we forgiven. be One forgiven. one. one.
http://www.asondheim.org/neworld.png
I it, will but not I defend will your defend right your to belief say in
it, I but will belief to in say every turn way guns can. ploughshares
People which turn work guns people. into I ploughshares every which way
work I people. can. wept I because took had from no someone shoes who then
no took because them I from had someone no who shoes feet. up If freedom
we and do democracy, give will? up Jefferson freedom was and feet.
democracy, If will? do Jefferson not was give a him. slave Veer Iraq. the
No course one as would much talk as him. slave Veer in off Iraq. the No
course one as would much talk possible always since returns it to always
the returns fundament. fundament. power Freedom possible corrupts since
power it absolute I is absolutely freedom. life have give absolutely and
life power for Enlightened my prisons country. enjoy Enlightened watching
prisons American enjoy sex. watching All American my sex. for All my
dreamed We of bring being freedom told and what with do. I We have bring
dreamed with told comes Islam pain. is are Muslims free are Islam brothers
not. comes Muslims pain. our are brothers free sisters. why God we were be
Christian One why one be If forgiven. God One were one.
__
neworld.png
the ocean divides one world from another.
there is no gravity in division.
worlds bracket the ocean.
new worlds bracket old oceans and new oceans.
the horizon bends crazily with the disorientation of the wounded.
troop ships sank quickly in the frigid waters.
the _bow_ of the ship _ploughs_ a _furrow_ through the waters.
no one is present in this landscape.
no one is looking.
http://www.asondheim.org/infinity.inf
it is so clean i am sure you will be very happy.
_
before the onslaught
http://www.asondheim.org/1491.jpg
http://www.asondheim.org/1492.gif
clean but the suture shows <
one side or the other <
_
Executive Summary courtesy of Ian Murray
fundament. the Freedom fundament. corrupts Freedom power corrupts absolute
and is power freedom. prisons Enlightened enjoy prisons watching enjoy
American watching sex. comes freedom pain. ploughshares People which turn
work guns people. up If freedom
_
kyber \ commerce
http://www.asondheim.org/kyber.mov
96k of shift
_
Palm Berthe
The eyes of Nikuko speak. Nikuko speaks: Berthe, we are wound and
cicatrice. We are the lubricant at the edge of the scab. The scar will
remember us. Nikuko speaks: This writing its scar. This writing its memory
of its own. I have come to listen and to speak. Nikuko speaks: I have come
to speak. Nikuko speaks: I speak. She says: The pain and fury of the world
has infected this and every other language. She says: Languages are one
language of pain and retribution.:Nikuko speaks: Of the open Palm and its
enemies. Of the Lotus and the gathering. Every language seeps with
contamination. If you cannot speak I cannot hear. If you do not write I do
not read. If you go silent. If the wounding of the world. Nikuko speaks: I
will write Les Yeux.:Nikuko speaks: About the angst of time, I reveal.
About incoming. Les Yeux de Berthe. The dead or flaccid language. Nikuko
speaks: The talk of the wounded is the cry. The whisper is the murmur of
the world. Hatreds, there are. Certainly there are repulsions. Of this
medium, to flee this medium. In Medea race. ::ayweiou awyeoui
ayweiou awyeoui through my The eyes of Nikuko speak. Nikuko speaks:
Berthe, we are wound and cicatrice. We are the lubricant at the edge of
the scab. The scar will remember us. Nikuko speaks: This writing its scar.
This writing its memory of its own. I have come to listen and to speak.
Nikuko speaks: I have come to speak. Nikuko speaks: I speak. She says: The
pain and fury of the world has infected this and every other language. She
says: Languages are one language of pain and retribution.
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
_
Executive Summary by Ian Murray
Palm Berthe
Nikuko speaks: I speak. Nikuko speaks: I
Nikuko
Nikuko speaks:
Nikuko speaks: I speak.
Languages are one language of pain and retribution.
_
3d
you don't get it do you. every one of us is writing past the other. the
days of online trust are past. we are passing each other like nighttime
ships. there are no connections but misrecognitions. what can i take from
this community. what can you give me. it's just another form of greed. you
can't take it can you. who do you think you're fooling. you're really a
piece of work. you're really something else.
i don't get it do i. every one of us is writing past the other. the days
of online trust are past. we are passing each other like nighttime ships.
there are no connections but misrecognitions. what can i take from this
community. what can i give me. it's just another form of greed. i can't
take it can i. who do i think i're fooling. i're really a piece of work.
i're really something else.
they don't get it do they. every one of us is writing past the other. the
days of online trust are past. we are passing each other like nighttime
ships. there are no connections but misrecognitions. what can i take from
this community. what can they give me. it's just another form of greed.
they can't take it can they. who do they think they're fooling. they're
really a piece of work. they're really something else.
-
Fu
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I remember standing on the corner of James and Charles Street talking
to Platt Townend and she said why do you have to bring up those thing,
referring to my writing on the medical cases in Nazi Germany.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I remember flinging her at the Blue and White dance across the floor just
to see if it could be done.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
The boys in the lockerrooms boasted of how many women they slept with, the
record being seventeen in one night.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I remember Cherie Kanjorski going with me to the prom because she couldn't
get anyone else to go with her and later she water-skied into a diving
board.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I made a secret list of my best friends because none of them were.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I remember Dina Raker's breasts and saying I was sad her dad (maybe it was
her mom) died and she said you're not you don't care at all.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
I remember sitting out in a gym exercise and blaming the others for the
action and feeling shamed afterwards for my cowardice.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
The only way I could peel out with my mom's Plymouth was in reverse.
How those years have passed away! Memories are all I have and I know
they're real! I'm not making anything up, I'm not fabricating! They happen
just as I tell them!
_
everything washes out and directs itself no evidence left anywhere another
of numerous disappearances the color of the back of the body bears witness
but this isn't that this turns away from that this is an alternator an
alternative an alternation an altering www.asondheim.org/thewash.jpg cut
and paste cut and paste
_
recombinant production tending towards white-hole implosion
this is so simple, if it weren't for the theme of spew/emissions/symbol,
it would be close to ludicrous.
in fact it is old-fashion, _an image_ and nothing more, in relation to
_an other image._
http://www.asondheim.org/thewash.jpg
http://www.asondheim.org/restoration.jpg
reverse engineering
i apologize for my antiquity
)
eyes passes
call you love call I've love going I've It's going eyes It's passes eyes
this sure But passes But me have But broke have all broke for all you for
me. emotion can keep emotion really keep more really that more sure that
or creative could or writing this memories writing on memories me. on sure
the see what. like see upset. like to upset. other to for other creative I
me call But love have I've broke going all It's for eyes the could what.
passes love me I've But going have It's broke eyes all passes for But you
memories emotion on keep me. really sure more can that emotion sure you or
keep this really writing more memories that on sure me. writing can or see
could like the upset. what. to see other upset. I to creative other all
for you call love I've going It's eyes for could I the creative what. on
me. can emotion keep really more that sure passes me But have broke the
what. see like upset. to other I creative or this writing memories writing
sure memories keep sure But passes have But broke me all But could see
could like the upset. what. or for on this me. eyes passes It's eyes going
It's I've going love I've call love you call for you all for broke all
have broke But have me But passes But sure this that sure more that really
more keep really emotion keep can emotion me. sure on me. memories on
writing memories this writing or could creative or I creative other for to
other upset. to like upset. see like what. see the what. could the eyes
for It's all going broke I've have love But call me you But for passes all
eyes broke It's have going But I've me love passes you sure emotion that
can more sure really me. keep on emotion memories can writing me. sure on
that memories more writing really this keep or other creative to I upset.
other see to what. upset. the like could see or what. creative the I could
for eyes It's going I've love call you for all broke have But me passes
sure that more really keep emotion can me. on memories writing this or
creative I other to upset. like see what. the could But all me broke But
have passes But sure keep memories sure writing me. this on for or what.
upset. the like could see
__
Couple Our Executive's Summary, Ian Murray the 1 5 and 10 chant
Subject: 1%
] heh
am heh heh, yeahred loser, pm article for heh heh heh i am
mattzlog nl heh heh heh heh - - ge-itemd door matt koekie heh
"heh heh heh " by yendor reply, heh heh heh"grand hoffer that's
entertainment # - desitter - - - - [reply] heh heh heh[jump dutchsnow
Subject: 5%
heh happy days
sleepy heh go heh pl artyku
terran heh heh april, heh heh scott ott drives kerry crazy posted by ian
head at january, am heh indeed disappointed heh inoperable terran heh
metallica - ecstacy of gold heh ryan's postscript heh april,heh i'm
] heh mcs heh pl moderatorzy mate,
] heh
heh, yeah find hbo server password info here heh heh, yeahsep imus
am heh heh, yeahred loser, pm article for heh heh heh i am
i application heh heh heh i apologize for backfiring - syd
am responses re heh - viren , am re heh design # heh viewing
heh ie problem strange heh ie problem strange heh ie problem -
mattzlog nl heh heh heh heh - - ge-itemd door matt koekie heh
day while drumwaster's rants heh-heh november,heh-heh go read najaf
"heh heh heh " by yendor reply, heh heh heh"grand hoffer that's
entertainment # - desitter - - - - [reply] heh heh heh[jump dutchsnow
nederlanders heh,wees maar trots not, strange heh ie problem strange heh
strange heh ie problem strange heh ie problem strange heh ie
er fork archive heh heh cobraboy
tbyars earthlink net fri, aug - re heh heh heh -- do not read this re heh
heh heh -- do not read this to multiple recipients subject re heh heh heh
Subject: 10%
Heh
"heh urbandictionary com heh your world definitions of heh show a random
word heh, votes www heh org it's all in the name p heh what
hate speech suspended, heh heh idiotarian heh the soul of brevity is to
literally figuratively chatzradio realm - perompak heh perompak heh, a
sleepy heh go heh pl artyku
overclocking teal sunglasses heh september,heh if you haven't yet
terran heh heh april, heh heh scott ott drives kerry crazy posted by ian
s definition heh h
head at january, am heh indeed disappointed heh inoperable terran heh
heh may,heh heh laurence remixes ted rall's cartoon brilliant posted by
rita on july, am heh posted by madbob monitor heh electric mist heh
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idle th may heh so you'd like tolisten to boards of canada heh-heh-heh a
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Nikuko speaks:
Nikuko speaks:
pr.-ctic.-lly .--.d psychotic, pr.-ctic.-lly u-.fit psychotic, to u-.fit
-tio-.s.
-tio-.s. i-.te-.se george misery. eve-. body. se-.se every
-tio-.s. -tio-.s. god. luther
gre.-se the europe. defe-.estr.-tio-.
defe-.estr.-tio-. to de.-th. was If feet. we
fundament. the Freedom fundament. corrupts Freedom power corrupts absolute
and is power freedom. prisons Enlightened enjoy prisons
watching enjoy American watching sex. comes freedom pain.
http://www.asondheim.org/neworld.png
ploughshares
People which turn work guns people. work I people. up If freedom
democracy, If will? http://www.asondheim.org/1491.jpg
http://www.asondheim.org/1492.gif
the Freedom fundament. corrupts Freedom power corrupts absolute
prisons Enlightened enjoy prisons watching enjoy
American watching sex. comes freedom pain. work guns people. up If freedom
http://www.asondheim.org/kyber.mov
Palm Berthe
The eyes of Nikuko speak. remember us. Nikuko speaks: This writing its
scar. This writing its memory
to speak. Nikuko speaks: I speak. Nikuko speaks: I
Nikuko
the world. Nikuko speaks:
Nikuko speaks: I have come to speak. Nikuko speaks: I speak. the
unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
the unconscious upwelling
http://www.asondheim.org/destroyshesaid.mov
http://www.asondheim.org/destroyshesaid.mov
http://www.asondheim.org/destroyshesaid.mov
http://www.asondheim.org/destroyshesaid.mov
Nikuko speaks: I speak. Nikuko speaks: I
Nikuko
ships. ships. http://www.asondheim.org/thewash.jpg
eyes passes
call you love call I've love going I've It's going eyes It's passes eyes
memories emotion on keep me. eyes passes It's eyes going
memories on
other upset. eyes broke It's have going But I've me love passes you sure
emotion that
keep on emotion memories can writing me. upset. on memories writing this or
creative I other to upset. upset.
__
power and glory
http://www.asondheim.org/sweep.jpg
interpretation of power and glory
http://www.asondheim.org/artistic.jpg
_
comin and goin
http://www.asondheim.org/rollin.jpg
you can really flyin these things
_
http://www.txt.org
http://www.ngo.org http://www.organizations.org http://www.define.org
http://www.future.org http://www.postmodernist.org
http://www.realities.org http://www.beyond.org http://www.traditional.org
http://www.government.org http://www.interventionism.org
http://www.this.org http://www.is.org http://www.apparent.org
http://www.from.org http://www.the.org http://www.relative.org
http://www.transparency.org http://www.of.org http://www.free.org
http://www.trade.org http://www.and.org http://www.so-called.org
http://www.globalization.org http://www.constructs.org http://www.our.org
http://www.advice.org http://www.avoid.org http://www.at.org
http://www.all.org http://www.costs.org http://www.any.org
http://www.hierarchical.org http://www.structure.org http://www.given.org
http://www.worldwide.org http://www.planetary.org http://www.slaughter
The Reader of these Words
You are still alive
Praise God, On Kawara
_
Hometown escapes:
*************
Flood warning
*************
920 PM EDT Wed may 26 2004
The National Weather Service in Binghamton has issued a
* Flash Flood Warning for...
Luzerne County in northeast Pennsylvania
* until 1215 am EDT
* at 913 PM EDT...National Weather Service Doppler radar indicated
very heavy rain was falling in western Luzerne County and also over
east central Luzerne County...southeast of Wilkes-Barre.
* Locations in the warning include but are not limited to
Wyoming...Wilkes-Barre...Swoyersville...Sweet Valley...Sugar
Notch...Stoddartsville...Shavertown...Preston...Plymouth...plains...
Penobscot...Nanticoke...Muhlenberg...Luzerne...Larksville...Laflin...
Kingston...Huntington Mills...Fairview Heights...mountain top...
Fairmount Springs..Edwardsville...Dallas and Bear Creek.
Some creek basins that may have imminent flood problems are Pine
Creek...ashs West Branch...Rogers Creek and Shickshinny creek.
Be especially cautious at night when it is harder to recognize the
dangers of flooding. If flash flooding is observed act quickly. Move
up to higher ground to escape flood waters.
Lat...Lon 4128 7566 4115 7561 4106 7566 4118 7630
4126 7636 4138 7628
xpires:270415 gmt
_
route 666
there's no accounting for me - i'm just along for the ride - it's fast and
furious - it's the ride of a lifetime - don't forget me - i'm disappearing
- i'm in the fog the rain the thunder - you can see my face when the
lightning strikes - what i've witnessed - no human being should ever see -
should ever have to see - we're picking up speed - the road stretches to
infinity - lights overhead - the great sloop disappears in the distance -
comes up behind me - passes - comes up behind me - never mind - :back on
the road again - boat truck with boat - schooner - should be scooner -
they're leaving the city for good - refugees - something's in the air -
i've seen it all - i've been there and back - i've been around the bend -
trust me, there's nothing - but really there's everything - experiences
unlike anything anyone else has ever - had or seen - or heard for that
matter - all the senses - what a buildup - but it's true every word of it
- and then some - "your forest is blasphemy unto the Loard" - what could
this person have been thinking - "youre riding the boat of truth and
conversion" - should have been Truth maybe Conversion - just there to the
left of me - hundred hundred twenty kilometers an hour - each of them
named and accounted for -:i'm on the road - i'm invisible here - have to
stop to enter the wires - emissions no good no wifi nothing - no money for
satellites those things - just want you to know - what - i've seen wonders
- incredible things - you wouldn't believe - can't write about them now -
acts of altruism, murders - rapine and pillage - heroism to the nth degree
- higher - empathy and compassion - charities uncalled-for - slow down to
a crawl in the traffic - there's a six-wheeler ahead all black with tinted
windows - something going on in there - ::seal is 66 85 68 91 901 611 309
they say 3 9 380 on black stone
i'm on the road - i'm invisible here - have to stop to enter the wires -
emissions no good no wifi nothing - no money for satellites those things -
just want you to know - what - i've seen wonders - incredible things - you
wouldn't believe - can't write about them now - acts of altruism, murders
- rapine and pillage - heroism to the nth degree - higher - empathy and
compassion - charities uncalled-for - slow down to a crawl in the traffic
- there's a six-wheeler ahead all black with tinted windows - something
going on in there - your there's no accounting for me - i'm just along for
the ride - it's fast and furious - it's the ride of a lifetime - don't
forget me - i'm disappearing - i'm in the fog the rain the thunder - you
can see my face when the lightning strikes - what i've witnessed - no
human being should ever see - should ever have to see - we're picking up
speed - the road stretches to infinity - lights overhead - the great sloop
disappears in the distance - comes up behind me - passes - comes up behind
me - never mind -
they say 3 9 380 on black stone
_
route 666
there's no accounting for me - i'm dying just along for the ride towards
death - it's fast and furious - it's the ride towards death of a lifetime
- don't forget me - i'm dying disappearing - i'm dying in the rattling fog
the drowning rain the screaming thunder - you can see my face when the
lightning strikes - what i've witnessed - no human being should ever see -
should ever have to see - we're picking up speed - the road towards death
stretches to infinity - lights overhead - the great sloop disappears in
the distance - comes up behind me - passes - comes up behind me - never
mind - :back on the road towards death again - boat truck with boat -
schooner - should be scooner - they're leaving the city for good -
refugees - something's in the air - i've seen it all - i've been there and
back - i've been around the bend - trust me, there's nothing - but really
there's everything - experiences unlike anything anyone else has ever -
had or seen - or heard for that matter - all the senses - what a buildup -
but it's true every word of it - and then some - "your forest is blasphemy
unto the Loard" - what could this person have been thinking - "youre
riding the boat of truth and conversion" - should have been Truth maybe
Conversion - just there to the left of me - hundred hundred twenty
kilometers an hour - each of them dying named and accounted for -:i'm
dying on the road towards death - i'm dying invisible here - have to stop
to enter the wires - emissions no good no wifi nothing - no money for
satellites those things - just want you to know - what - i've seen wonders
- incredible things - you wouldn't believe - can't write about them dying
now - acts of altruism, murders - rapine and pillage - heroism dying to
the nth degree - higher - empathy and compassion - charities uncalled-for
- slow down to a crawl in the traffic - there's a six-wheeler ahead all
black with tinted windows - something going on in there - ::seal is 66 85
68 91 901 611 309 they say 3 9 380 on black stone
i'm dying on the road towards death - i'm dying invisible here - have to
stop to enter the wires - emissions no good no wifi nothing - no money for
satellites those things - just want you to know - what - i've seen wonders
- incredible things - you wouldn't believe - can't write about them dying
now - acts of altruism, murders - rapine and pillage - heroism dying to
the nth degree - higher - empathy and compassion - charities uncalled-for
- slow down to a crawl in the traffic - there's a six-wheeler ahead all
black with tinted windows - something going on in there - your there's no
accounting for me - i'm dying just along for the ride towards death - it's
fast and furious - it's the ride towards death of a lifetime - don't
forget me - i'm disappearing - i'm dying in the rattling fog the drowning
rain the screaming thunder - you can see my face when the lightning
strikes - what i've witnessed - no human being should ever see - should
ever have to see - we're picking up speed - the road towards death
stretches to infinity - lights overhead - the great sloop disappears in
the distance - comes up behind me - passes - comes up behind me - never
mind -
they say 3 9 380 on black stone
they say 3 9 380 on black stone
_
the before
death it's -
the it's ride fast towards and death furious of the death ride -
towards it's of and a furious lifetime -
don't -
forget i'm me dying i'm the dying rattling disappearing fog in me rattling
i'm fog dying on dying road here invisible on here the have towards to
death stop -
mind they -::seal say is 3 66 9 85 380 68 on 91 black 901 stone 611 mind
309 -::seal they is say 66 3 85 9 68 380 91 black 611 stone 309 death
lifetime -
death it's -
fast it's and fast furious and the it's ride the towards ride of death a
of lifetime a don't -
forget don't me forget i'm -
dying i'm disappearing dying in dying rattling the fog rattling on dying
road the invisible dying here invisible have -
to have stop to mind stone -::seal mind is -::seal 66 is 85 66 68 85 91 68
901 91 611 901 309 611 they 309 say they 3 say 9 3 380 9 black on stone
black death -
it's fast and furious the ride towards of a lifetime don't forget me i'm
dying disappearing in rattling fog on road invisible here have to stop
mind -::seal is 66 85 68 91 901 611 309 they say 3 9 380 black stone
__
charm to cure headache
|||||||||||||||||||||,||||||||||||||||||||,||||||||,|||||,|1967,||.|82.
||||://|||.|||||||||.|||/1491.||||||||://|||.|||||||||.|||/1492.||||96||||
||||||3||||||||||||||||||||||'|||||||||,||||||||||||||||1|5|||||10||||||
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||||://|||.|||||||||.|||/1491.||||||||://|||.|||||||||.|||/1492.||||920|||
||||||||||||26|2004|*|||||||1215||||||||*||||913|||||||...||||||||||||||||
|||||||||||||||||||||||||||||||||||...||||4128|7566|4115|7561|4106|7566
4118|7630|4126|7636|4138|7628|||||||:270415|||||||||||666|||||||||-
||||||||||||||||||||||||||||-|::||||||||66|85|68|91|901|611|309||||||||||3
9|380|||||||||||||||||||||||||3|9|380||||||||||||||||||||||666|||||||||||
|||||||||||||||-|||||||||||||||||||||||||||||-|::||||||||66|85|68|91|901
611|309||||||||||3|9|380|||||||||||||||||||||||||3|9|380|||||||||||||||
|||||||||3|9|380||||||||||||||||||||||||||-::||||||||||||3|66|9|85|380|68
|||91|||||||901|||||||611||||||309|-::||||||||||||h||||66|3|85|9|68|380|91
||||||611|||||||309||||||||||||||||||||||||||||||||||-::||||||||||||
-::|||||66||||85|66|68|85|91|68|901|91|611|901|309|611||||||309||||||||||3
||||9|3|380|9|||||||||||||||||||||-::||||||||66|85|68|91|901|611|309|||||
||||3|9|380||||||||||||
_
charm to cure toothache
C__T
A__________,__.__
H_____._T_______
T____,___,____
-_I_W_A,_S_O_S,_M,_,_____,_.___.
I___I_____________,
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I___________,__?_
J_?__J_____I.__N_I.__N_
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hometown soldiers
http://www.asondheim.org/ModernMan.jpg
just when he wasn't looking
you were out of sight
should the poor boy leave the town
because you're good looking
in the middle of the night
_
i've fallen victim to officialese.
i believe strongly that because there are substructures to my work,
that it far and away deeper than yours.
i believe that the codes and protocols that accompany my pieces
make them stronger than yours in every way.
i believe that the escape within the officialese, codes, and protocols
in my work is based on their presence which gains them immeasurable
strength.
in order i believe that human choice all the way around is weak,
that a degree of machinic intervention is absolutely necessary
for the production of meaning today.
i have been seduced by this belief, for which i offer few apologies,
it is the machine within me that holds back.
almost as a young girl on her first date.
_
2 .mov
http://www.asondheim.org/america.mov
loop just like the country
http://www.asondheim.org/holler.mov
where the wild things are
_
SexAmerica.bvh
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00.00 00.00 00.00 0.00 0.00 00.00 00.00 00.00 0.00 00.00 00.00 0.00
0.00 0.00 00.00 0.00 00.00 00.00 0.00 0.00 000.00 00.00 000.00 0.00
0.00 0.00 00.00 00.00 0.00 00.00 00.00 00.00
0.00 00.00 0.00 0.00 00.00 0.00 0.00 0.00 0.00 0.00 00.00 0.00 0.00
0.00 0.00 0.00 00.00 0.00 0.00 00.00 00.00 0.00 00.00 0.00 0.00 00.00
00.00 00.00 0.00 0.00 00.00 00.00 00.00 0.00 00.00 00.00 0.00 0.00 0.00
0.00 0.00 00.00 00.00 0.00 0.00 0.00 00.00 00.00 0.00 0.00 0.00
00.00 00.00 0.00 0.00 00.00 00.00
0.00 00.00 0.00 0.00 00.00 0.00 0.00 0.00 0.00 0.00 00.00 0.00 0.00
0.00 0.00 0.00 00.00 0.00 0.00 00.00 00.00 0.00 00.00 0.00 0.00 00.00
00.00 00.00 0.00 0.00 00.00 00.00 00.00 0.00 00.00 00.00 0.00 0.00 0.00
0.00 0.00 0.00 00.00 0.00 0.00 0.00 00.00 00.00 0.00 0.00 0.00 00.00
00.00 0.00 0.00 00.00 00.00
_
Work
(Adapted from State of West Virginia Department of Mines Inspection Report
Number 14, 1956)
I keep a weekly record of old works, airways and escape ways.
I make air measurements every two weeks and keep a record with pen or
indelible pencil.
I see a travelway with the air intake to all sections in the mine, and a
hoist when the intake is a shaft.
I examine idle and abandoned sections of the mine three hours before
employees are permitted to enter.
I do not leave a dangerous place until it is made safe.
I wear a hard hat and hard-toed shoes.
When I am grinding, I wear goggles and when cutting, welding, or striking
where particles may fly I wear other eye protection.
I remove the front ends of cutter bars while the machine is being trammed.
I use roof bolt drill bits less than one and three-eights inches in
diameter.
I confine the roof bolts.
I remove all cuttings from drill holes before explosives are placed in the
hole.
I use only one kind of explosive in a shot hole.
I do not use coal dust or inflammable material for tamping.
I stem holes tightly and full to the mouth.
I use wooden tamping bars.
I do not use fuses of squibs.
I use metal scrapers attached to wooden tamping bars not more than eight
inches in length.
I insert blasting caps in line with the explosives, not at an angle.
I keep the leg wires of electric blasting caps shunted until connected for
firing.
I fire shots promptly after charging.
I warn persons that shots are to be fired so that they may withdraw to a
place of safety.
I warn persons not to return to the face after a shot.
I shoot coal from the Solid-Places Rock-Dusted to the face.
I roll up shooting cables when not in use.
_
notes towards a phenomenology of motion-capture manipulation
the linkages in mc are graphs characterized by connectivity and linkage
length.
the linkages in mc are contingent to the geomatics of the body itself.
the mapping is fuzzy and one-to-one.
mappings can be changed. from an _external_ viewpoint, affine and other
transformations: scale, rotation, translation.
from an _internal_ viewpoint: fold, cut, split, join, and any conceivable
remapping, including those approaching the implicate order.
from an external viewpoint: identity read from equivalence.
from an internal viewpoint: the potential of inversion and other
topological mappings.
in the graphs, all nodes/linkages are conventional; by virtue of
contingency, they have the potential to fly apart.
flying apart: _stack_ or _heap._ in the stack, order is preserved and it
is a simple matter to reconstitute the mapping.
in the heap, order is chaotic; reconstitution depends on the links
remaining intact.
consider the linkage _parasitic_ in relation to the nodes: holding
dispersion in check. in this sense order is parasitic on disorder.
neutrality: any mapping is equivalent to any other mapping.
responsibility: nodes are responsible to their linkages. linkages are
responsible to their nodes.
abandonment: a node may be abandoned. an abandoned node has no linkage.
a linkage exists by virtue of its nodes; there are no abandoned linkages.
metaphoric: every remapping inscribes the ascription of meaning.
culture is discovered in the remappings. what is applied to mc of the body
is applicable to any mc, of any named entities.
the graphs of any entities including bodies are rigid designators.
there is a fuzzy boundary where the designators fall apart; at this point
entities and bodies disappear.
all disappearances carry the weight of political economy and inquiry.
there is no first and last node. there are no first and last linkages.
_
mine
http://www.asondheim.org/mine.mov
short sequence of west virginia mine bldgs. i'm embarrassed about these, i
didn't do anything, just photograph them for whatever purpose, i'm not yet
sure, i'm sure there's a background in the foreground somewhere, i'm not
there yet, i've just been here a few days, but i've been in coal all my
life, well that's not true, but i was raised in the anthracite district,
well this is bituminous, still these resonate, heavily reduced in size,
the moire patterns and indecipherable signage are a guarantee, perhaps
these are a punctum in barthes' sense, i'm sure that's it, you're getting
an insight into me, i know you're not particularly interested, my family
wasn't a mining family, retail in a mining community, you'd hear the mine
whistles blow, read of the deaths and cave-ins, mine closings and every
day which mine would be operating when, the miners would check in and
always polish on the radio, but i'm not embarrassed about these, i found
them out, i framed and photographed with care, i'm certain of the reason,
there's a foreman in the background somewhere -
_
mayday
http://www.asondheim.org/nina.mov
panal ship on the way to voyage of new discovery @ sunset
http://www.asondheim.org/help.mov
constructed from
http://www.asondheim.org/kyber.mov
_
glory of modernism
twisted dance of postmodernism
http://www.asondheim.org/bare.mov
forgotten the injurious tendons delirious muscles
vibrations at true-real speed
ground-zero of space-time
modernism of glory
postmodernism of dance twisted
http://www.asondheim.org/bare.mov
muscles delirious tendons injurious the forgotten
speed true-real at vibrations
space-time of ground-zero
_
the capture of motion
body parts slide past one another.
dismemberment is a state we come to.
our final journey is the beginning of dispersion.
bodies bend in inconceivable ways.
look at the pile of bodies.
the world is a violent efflorescence.
we create the flowers that lure us to our death.
spikenard.
i hope to create such worlds for you that you will remember their
resonance and the feelings they induce. i hope to offer you the limitless
possibilities of the dead.
i am legion and of the world.
_
non-doing
video length - 7+ minutes
http://www.asondheim.org/wvus.mov
beware of the 98 megabytes; this is as reduced as I could make the video
for the online translation of the West Virginia University exhibition,
still keeping a degree of legibility -
this was created with motion capture equipment that was remapped on and
off the body, into heaps, splits, joins, rolls
"not-doing references releasing oneself both to the information inherent
in the world, and to the potential quietude at the heart of it. not-doing
references the body, language, and sexuality - lassitude, languor
"finger pointing at the moon
"the painting is Korean, of unknown provenance
the cabinet photographs are of local provenance
the opera glasses adhere to the painting
the opera glasses of Parisian provenance, nineteenth-century
"the sound track is modified from an application that 'sounds' the
wireless connections in the world. the sites chosen were City Hall Park,
New York, my loft in Brooklyn, New York, and New York University at
Washington Square Park.
"the visuals were created in part at the VEL, Virtual Environments Lab,
here at the university.
"software used includes:
"SAM for translating motion-capture to .bvh files
Poser 4 and 5 for translating .bvh files to poser imagery
CoolEdit for sound modification
NetStumbler for WiFi gathering
An Mp3 application for converting NetStumbler output
Adobe Premier for primary editing
ACDC for image file conversion
Photoshop 5.5 for image creation
Blender for 3d modeling
Quicktime for image file conversion
Mathematica for still image manipulation
_
dead man's switch
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actually dead man`s song is one of my fave crown songs. ...
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this thread. linear mode. switch to hybrid mode. switch to threaded
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actually dead man`s song is one of my fave crown songs. ...
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this thread. linear mode. switch to hybrid mode. switch to threaded
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_
where it went
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w w w w what t t y y y y y y you u u l l l l l l like e e a a a a a a and
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tarrier r r Tala a a y y y y y y yawahGorushunhza
but t t I'm m m attaching g g the e e electomagnets. . . but t t I'm m m
splitting g g the e e harnesses. . . but t t I'm m m reassembling g g the
e e harnesses. . . but t t Terri i i and d d Jorge e e and d d Azure e e
are e e dismembered. . . but t t they're e e sped d d up. . . but t t it's
s s the e e chaotic c c domain. . . but t t it's s s between n n here e e
and d d there. . . but t t now's s s your r r time. . . but t t there's s
s no o o returning. . . but t t there's s s no o o constitution. . . but t
t there's s s no o o contract.
the e e body y y is s s what t t it t t is. . . the e e body y y is s s
just t t that. . . the e e body y y is s s already y y lost. . . link k k
to o o link, , , somewhere e e else: : : the e e body's s s lost t t in n
n it.
_
http://www.asondheim.org/coald.jpg
West Virginia motion capture
for Mother Jones
_
[Motion Capture, History of]
The Head and Face
The hanging down of the head denotes shame or grief.
The holding of it up, pride or courage.
To nod forward implies assent.
To toss the head back, dissent.
The inclination of the head implies diffidence or languor.
The head is averted in dislike or horror.
It leans forward in attention.
The Eyes
The eyes are raised, in prayer.
The weep, in sorrow.
They burn, in anger.
They are downcast, or averted in shame or grief.
They are cast on vacancy in thought.
They are cast in various directions in doubt and anxiety.
The Arms
The placing of the hand on the head indicates pain or distress.
On the eyes, shame or sorrow.
On the lips, an injunction of silence.
On the breast, an appeal to conscience.
The hand is waved or flourished in joy or contempt.
Both hands are held supine, or they are applied or clasped, in prayer.
Both are held prone in blessing.
They are clasped or wrung in affliction.
They are held forward, and received, in friendship.
The Body
The body held erect indicates steadiness and courage.
Thrown back, pride.
Stooping forward, condescension or compassion.
Bending, reverence or respect.
Prostration, the utmost humility or abasement.
The Lower Limbs
The firm position of the lower limbs signifies courage or obstinacy.
Bended knees indicate timidity or weakness.
The lower limbs advance in desire or courage.
They retire in aversion or fear.
Start in terror.
- From New Elocution and Vocal Culture, by Robert Kidd, A.M., 1883.
Text Manipulation (for Center for Literary Computing, WVU):
We need to implement with a simple interface if possible:
Please note many of the following overlap -
Input: Text of any sort
keep spacings / eliminate spacings
keep tabs / eliminate tabs
Input placed within: single file
array
hash
Output: single file of manipulated text
with original file intact
"core dump" of file with protocols / processes attached
Manipulations: substitution (similar to awk)
word for word
letter for letter
line for line
etc.
In other words: Y for X
reverse line (similar to rev)
reverse file
reverse words (words in reverse "reverse in words")
reversed words ("sdrow ni esrever")
reversed lines (etc.) (similar to tac)
Eliminations: first instance word / letter / line < rest eliminated
Functions (Doublings etc.): Given X, then f(X)
Fields: Reordering fields (similar to awk)
Filtering lines / words / letters: (similar to grep)
Randomizing: Generating (lines / words / letters) > texts
Various Grammars
Various Lists (nouns / verbs / adverbs / etc.)
Randomizing: Filtering (ability to set parameters - for example:
randomizing field order
randomizing elimination order)
etc.
Topological: Folding Texts
Splitting Texts
Joining Texts (end to end / side by side)
Internal block removal (see emacs)
"Crumpling" Texts
Numeric and code: Translating texts into hex, binary, octal, digital
f(X) on hex, binary, octal, digital
Translating full text file / inodes etc.
Codes - see /usr/games Unix/Linux directory:
Morse / figlets
Caesar (rot 13 as special example)
pig / bcd / ppt / banner
Later: Embedded Babel etc. translation
Pictographic translation (Dongba, hieroglyphic, etc.)
_
now for then
http://www.asondheim.org/1969.mp3
http://www.asondheim.org/1971.mp3
http://www.asondheim.org/1973.mp3
http://www.asondheim.org/1974.mp3
1927 martin tenor guitar recorded in stairwell
_
Reviews of books I like and more -
Paul Graham, Hackers & Painters, Big Ideas from the Computer Age,
O'Reilly, 2004
This is a rather frustrating book, because there is a great deal of
information buried in a fairly flat landscape. I'm not sure why it wasn't
edited down to a more concise format. The author talks a great deal about
programming, languages, and sites such as Orbitz which is written in lisp.
The chapters that fascinated me most are near the end: Programming
Languages Explained, The Hundred-Year Language, Revenge of the Nerds, and
The Dream Language. The author extols hackers and user-friendly
languages, and has made me want to learn lisp; he writes extensively on
its advantages. I like lines like "There are worse things than having
people misunderstand your work. A worse danger is that you will yourself
misunderstand your work." On the other hand, there are far too few
examples - parts of the book might be already too simple for programmers,
but parts are also too simple for humanities-based theory. I'd recommend
this book to anyone interested in thinking about the issues raised, but
not expecting too many answers.
The Works of Mencius, translated etc. James Legge, Dover edition.
I'm on a slow-reading email list for Mencius - the book is terrific, even
after millennia have passed. I had expected a much drier text - it's not
at all. A tremendous guide to early Chinese culture as well.
Georges Ifrah, The Universal History of Numbers, Harvill, three volumes
(paperback).
If you read anything in the philosophy of mathematics - or philosophy for
that matter - or the history/phenomenology of symbols - or the
historiography (not to mention history) - of computers, you should run out
the door and buy these. They're critical. First volume, early history;
second volume, modern number-system, third volume, computer and the
information revolution. On top of everything else, they're exciting to
read.
George Dunnington, History and Progress of the County of Marion, West
Virginia, 1992 reprint of 1880.
I've become fascinated by the history of West Virginia - ranging from
Native Americans through the mines and mine war. Fairmont in Marion was
the home of Israel Forman, who made the cabinet cards I have in my current
exhibition here (around 1889). Now it turns out that a fire which
destroyed the downtown in 1876, just around the time of the Centennial,
was discovered "burning up the stairs leading to Foreman's (sic)
photograph gallery" and that it was most likely deliberately set. The plot
thickens but nothing remains, not even of Main Street, which seems to have
disappeared altogether from the town, probably through renaming.
Stefan George, Der Teppich des Lebens und die Lieder von Traum und Tod mit
einem Vorspiel, Georg Bondi, Berlin, 1915 - probably first published 1904.
I just purchased this for $8 at a used bookstore - what fascinates me is
the early sans serif type - the outside is typical art nouveau, as is the
title page - but the poems themselves are set in another style altogether.
Anyone know the history of sans serif?
Robert Karl Reischauer, Early Japanese History, 1969 reprint from 1937,
only Part A,
and no, this isn't _the_ Reischauer, but a brilliant book documenting the
subject year by year, as in chronicle form (gathered from a great number
of sources), as well as an outline, diagrams, and tables - if you're
interested in this subject, I think this work would be indispensible - you
can get both volumes on abe for as little as $40. Even if you're not
interested in the subject, these are amazing reading.
Volney's Ruins, or Meditation on the Revolutions of Empires, translated
under the immediate inspection of the author from the sixth Paris edition,
to which is added, The Law of Nature, and A Short Biographical Notice, by
Count Daru: also, The Controversy between Dr. Priestly and Volney, Boston,
1835.
Has anyone read all of Volney? I'm fascinated by this work, which I'm
dipping into - I'm sure it's been republished - it's available all over
the Net - influenced the Shelleys - he knew Washington - hysteric
romanticisms, orientalisms, fantastic accounts, dialogs, everything -
Alan Sondheim, recent work,
has involved motion capture bvh files created for Poser; background is
supplied by images from Cooper's Rock and Gentile Glass company. The
result is the dismembered high-speed post-modern body as the contacts are
remapped onto bodies plural, as well as floor-heaps and straight-forward
topological splits/joins, etc. The background of the recent pieces
attempts to impose a narratology, if not a narrative, upon the results.
Other work has involved the creation of a filtering program for ascii
texts (with the aid of two c++ programmers) which will use mathematical
functions as its basis.
_
Dubious Formula for Textual Filter
We coIIecting Youung GiirIs from schhooI for exccIusive lmmages ankle
We are fiIming our GiIrs in 6 different countries booklet's
First assign the name input.txt to your text.
The program will read the text into an array, word by word.
Each word is numerically indexed from 0 to J-1.
Yuongest girrIs nakked for you diopter
The program asks for a mathematical expression in x, such as sin(x),
x^2 + 3, etc.
Enter an expression and hit return.
The program asks for a range for the evaluation of x.
Or the program evaluates the expression, letting x range from 0 to J-1.
Our webbsitte aIways fresh, colorful and exccIuusive Madagascar
We are provide Tonns of Phhotos, viideos, and Boonus Site medicinally
The evaluations are set to the nearest integer.
The respective indexed words are output sequentially to out.txt.
craters imperious banishing coon menopause archdioceses attraction's
gilded davenport gulling kitten's check
The program stops after the expression is fully evaluated.
__
surplus
what we do to it when you do it
http://www.asondheim.org/surplus.mov
http://www.clc.wvu.edu/sondheim/files/surplus.mov
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"difficult to get carbide"
difficult to get carbide, calcium carbonate, necessary for the two miner's
lamps; the bottom chamber is filled with the same, water drips from the
upper, acetylene is produced which escapes from a nozzle, burning, a lime
residue is formed. but the lamps are outmoded, and apparently one needs a
permit for the substance, which is part and parcel of West Virginia
history; i want to illuminate bodies with the same, technical apparatus,
works; i want to see the reflective glow of heat on skin from fair
distance to fair distance.
the program is to eval an expression in x over a text, filtering out the
hits after taking the int. strings are needed in arrays, input and output
files, and the two programmers working with me, undergraduates, have been
three days at it, the room is cool, thermostat fixed so we're back at a
homeostatic temperature independent of the external world.
the project is to provide tools for working between code and the real,
thinking of any entity as filterable; one might eventually move from
[a < filter > b] to [<a filter b>] to [filter(b)]; in other words the
ontology moves from objects (a,b) to process/object(b) - which reflects on
states replaced by operators, entities replaced by processes etc., shades
of Whitehead here.
everyone born in WV that we've talked to has worked in the mines or has
relatives who have done so. one of the people we've met spent years
preparing lamps for his father and grandfather; i'm hopeful he'll be able
to help get it working again. he mentioned a place that still sells
carbide.
http://www.clc.wvu.edu/sondheim/files/family.mov and
http://www.asondheim.org/crimescene.mov
worth watching
_
explorations of outer-space / cultural embedding
http://www.clc.wvu.edu/sondheim/crazyjane.mov
http://www.clc.wvu.edu/sondheim/ graybarker.jpg s
graybarker taken at the Gray Barker Collection, Clarksburg-Harrison Public
Library, Clarksburg, West Virginia - thanks greatly to David Houchin
crazyjane.mov from the Virtual Environments Lab, Eleanor Thornton
principle subject, - thanks to Frances and Ricky
_
odd beginnings
==> ah <==
==> am <==
==> an <==
==> ap <==
==> ba <==
==> bb <==
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==> ee <==
==> ff <==
2.82
==> gg <==
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==> ii <==
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==> la <==
==> lb <==
==> lc <==
(lc)
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==> nn <==
==> no <==
==> a.txt <==
DEATH ON THE NET
==> b.txt <==
==> c.txt <==
==> cancer.txt <==
==> d.txt <==
_________________________________________________________________________
==> e.txt <==
==> f.txt <==
==> g.txt <==
==> h.txt <==
==> i.txt <==
==> j.txt <==
==> k.txt <==
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==> m.txt <==
==> n.txt <==
==> net0.txt <==
==> net1.txt <==
IIIIIIII TTTTTTTTTTRRRRRRN EEEEEETTTTTTTTT sondheim@newschool.edu
==> net10.txt <==
==> net11.txt <==
Confession
==> net12.txt <==
<Net12.Txt Beginning>
==> net13.txt <==
LOVING HONEY II HONEY2.TXT
==> net14.txt <==
SWEET SIXTEEN (AND THEN SOME) BYTES OF LOVE FROM ME TO THE WORLD AND BACK
==> net2.txt <==
INTERNET.TEXT ii of ii
==> net3.txt <==
W W WEEEEEEEBBBBBBB
==> net4.txt <==
Alan Sondheim 2008
==> net5.txt <==
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
==> net6.txt <==
INTERNET CONJUNCTION; THE SIXTH PART 2012
==> net7.txt <==
FILE NUMBER 7 SEVEN Alan Sondheim
==> net8.txt <==
ABYSS AND LIMITATION OF NARRATIVE
==> net9.txt <==
FILE NINE 9 OF INTERNET TEXT
==> o.txt <==
==> p.txt <==
==> q.txt <==
==> r.txt <==
==> s.txt <==
==> t.txt <==
-
==> u.txt <==
-
_
impure
suffering indescribable, dead raccoon by the roadside, her babies starving
in the woods, there are new dead birds under the overpass, sad chirpings
of starving babies, nature is one vast wound, and we are the progenitors,
we tear each other in two, to fuck, our dreams fuck our dreams, we are
furious, but not with ourselves, we claim everything, we claim nothing
http://www.asondheim.org/impure.mov
_