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Fall 2003
WEST VIRGINIA UNIVERSITY
Department of English
Professor Ethel Morgan Smith Office Hours-Tue 4:30-6:30
327 Stansbury Hall and by appointment
293-3107 ext 412
esmith@wvu.edu
African American Literature-English 254
To the Spirit:
Without whose assistance
Neither this book
Nor I
Would have been
Written.
Alice Walker, The Color Purple
This course aims to reclaim the writers of the Harlem Renaissance, that period of intense flowering of African American writers, artists, and musicians. We will read representative texts by a wide variety of writers, and we will examine those texts within the aesthetic, social, and political contexts of the period. A central assumption is that you you've had some reading in African American texts. If that is not the case, I will assume that you're very interested in the subject and have a general love and interest in American literature. We will examine issues of subjectivity and agency (ability to assert life), multiple consciousness and experience by looking at topics such gender relations, family life, work patterns, organizational activities, and cultural production of the period.
Student's participation is the heart of the class. It is essential to the development of competency in analyzing these literary works, thus students are expected to be prepared for class by completing the readings prior to class discussion, and further to participate in class orally. This is a very demanding course. Reading is a must. We complete all of the textbooks.
CLASS OBJECTIVES
To stimulate the understanding and enjoyment of African-American literary works in relation to their historical period and their relationship to experience and culture
To develop the ability to read literary texts for meaning, structure, and style
To develop critical reading, writing, and thinking skills through the analysis of literary works of African Americans
To deepen your understanding of American literature and culture through the specialized study of and focus on works by African Americans as important components of American literature, culture, and aesthetics
To recognize and critically analyze selected African-American works through
genre, predominate themes, literary movements, and relationship to historical and social contexts
CLASS PROCEDURES
1. Attendance is very necessary! If you cannot attend class for some reason, you are responsible for finding out from a classmate what you have missed, and what the assignment is for the next class meeting. Please do not call me at home or in the office for assignments you've missed. You're expected to be prepared to participate fully in the class discussion on the day you return to class, and to hand in any assignment that is due. Quizzes, homework, and writing in-class assignments cannot be made up if you're absent on the day they're due. Don't expect an A if you miss ONE day of class.
2. Class participation will be an important portion of your grade, not that it will be equivalent in value to all of the written work and discussion. I will assume that each of you would have read the assignment, and I will, therefore, feel free to call on you.
3. To prepare yourself for class discussions, mark what you read by underlining passages, or by writing the page and paragraph number down so that you can easily refer to materials. What I mean by that is, material that strikes you as important or interesting, or part of the text that you simply do not understand. This is the time to raise questions as well.
4. Assignments must be turned in as a minimum requirement for passing this course. Assignments are due at the end of the class on the due date. They should be placed in my hand. Late papers will be penalized one grade for each day they are late, and will receive a failing grade! In cases where illness or absences from campus has made it impossible for you to hand in your work on schedule, you must present a properly authorized excuse in order to avoid a late penalty.
COURSE REQUIREMENTS
Class Participation 20%
Two Quizzes 20%
(unannounced)
Midterm Examination 30%
Final Examination 30%
REQUIRED TEXTS
Fire Next Time by James Baldwin
The Price of the Ticket (film) James Baldwin
The Harlem Reader, ed. Herb Boyd
Invisible Man by Ralph Ellison
Plum Bun by Jesse Fauset
A Raisin in the Sun (film) by Lorraine Hansberry
Third Generation by Chester Himes
I Wonder as I Wander by Langston Hughes
Their Eyes Were Watching God by Zora Neale Hurston
Quicksand/Passing by Nella Larsen
Jazz by Toni Morrison
The Wedding (film) Dorothy West
ELECTRONIC RESOURCES
The following electronic sites provide useful links to materials relevant to our course. As you find new links, please share them with the class via email or in class.
valuable links to resources available on the internet in the general area of African American Literature.
CLASS SCHEDULE
Week of
Aug 19th Introduction-Review of Syllabus-Discussion on Expectations
Aug 25th The Fire Next Time
Sept 1st Labor Day
Sept 2nd The Price of the Ticket (shown in the audio library)
Sept 9th Third Generation
Sept 16th Invisible Man (We will read this book in about 4 segments).
Sept 26th Rosh Hashanah (Day of Special Concern)
Sept 30th Quicksand/Passing
Oct 3rd Midterm Examination Week-Exam will be announced.
Oct 6th Yom Kippur (Day of Special Concern)
Oct 7th I Wonder as I Wander
Oct 14th A Raisin in the Sun (film)
Oct 24th Last Day to Drop a Class
Oct 28th Jazz
Nov 4th Election Day
Nov 11th The Harlem Reader
Nov 18th Plum Bum
Nov 22nd Thanksgiving Recess
Nov 30th The Wedding (film)
Dec 2nd Their Eyes Were Watching God
Dec 5th Last Day to Withdraw
Dec 6th Last Day of Class
Dec 10th Final Examination Week-Exam will be announced.
WEST VIRGINIA UNIVERSITY IS COMMITTED TO SOCIAL JUSTICE. THE INSTRUCTOR OF
THIS COURSE, WITH WVU'S COMMITMENT, EXPECTS TO MAINTAIN A POSITIVE LEARNING
ENVIRONMENT BASED UPON OPEN COMMUNICATION AND MUTUAL RESPECT. ANY
SUGGESTIONS AS HOW TO FURTHER SUCH AN ENVIRONMENT WILL BE APPRECIATED.
Unless
otherwise noted, items published by the Center for Literary Computing are
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